Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Stage & Screen Style:Soundtrack
Tracklist:
A1. The Night The Screaming Stops (Opening Titles) A2. Opetanie 1* A3. Meeting With A Pink Tie A4. Opetanie 2 A5. Anna Rewards Mark A6. Possesion - Orchestral Theme 1* A7. Kreuzberg 1* A8. Opetanie 3* A9. Mark Looks In The Fridge A10. Heinrick's Demise A11. Opetanie 4* A12. Possession - Orchestral Theme 2* A13. Blue Ford B-AZ6 A14. Helen Has Green Eyes B1. Opetanie 5* B2. Bloody Embrace B3. Kreuzberg 2* B4. Detective's Desserts B5. Kreuzberg 3* B6. Kreuzberg 4* B7. The Night The Screaming Stops (Tempo) B8. Mark Formulates A Plan B9. Mark Sees Everything B10. Closely Observered Anna B11. Opetanie 6* B12. What Is It? B13. The Man With The Pink Socks
General notes about this release (please note: our version may differ a little. see the comments above):
All tracks previously unreleased outside of the context of the film. Tracks marked * did not appear in the final cut of the film. These tracks have never been heard publicly until now.
Duplicated and remastered directly from Korzynski’s original master tapes.
