Jimmy Smith - Jimmy Smith's Greatest Hits! (2xLP, Comp)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€13,99

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Genre: Jazz
Style: Hard Bop, Soul-Jazz

Tracklist:
A1. All Day Long 10:25
A2. The Champ 8:30
B. The Sermon 20:20
C1. Midnight Special 9:50
C2. When Johnny Comes Marching Home 8:00
D1. Can Heat 5:20
D2. Flamingo 8:00
D3. Prayer Meetin' 6:00



 



General notes about this release (please note: our version may differ a little. see the comments above):

Gatefold sleeve.

Blue/white Blue Note labels with rim text "BLUE NOTE RECORDS • A DIVISION OF LIBERTY RECORDS, INC." it is also a label variation: the writers credits per track are printed right next to them and not right under the track titles. Also, the fonts used for the cat.nrs., main artist name and album title differ from this version, it's immediately clear when checked with an A/B comparison [see and compare images.

Printed inside gatefold: "tracks A1 and A2 are electronically rechanneled" - this was done to create fake stereo, which can be heard with headphones.

Recording dates and places:
A1: Manhattan Towers, NYC, February 12, 1957
A2: Rudy Van Gelder Studio, Hackensack, NJ, March 27, 1956
B: Manhattan Towers, NYC, February 25, 1958
C1: Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 25, 1960
C2: Rudy Van Gelder Studio, Englewood Cliffs, NJ, January 4, 1960
D1: Rudy Van Gelder Studio, Englewood Cliffs, NJ, February 7, 1963
D2: Manhattan Towers, NYC, February 25, 1958


 

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