Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Hard Bop, Modal
Tracklist:
A1. Générique 2:50 A2. L'assasinat De Carala 2:11 A3. Sur L'autoroute 2:20 A4. Julien Dans L'ascenseur 2:09 A5. Florence Sur Les Champs-Elysées 2:52 A6. Dîner Au Motel 3:58 A7. Evasion De Julien 0:54 A8. Visite Du Vigile 2:06 A9. Au Bar Du Petit Bac 2:54 A10. Chez Le Phothographe Du Motel 3:55 B1. On Green Dolphin Street 9:49 B2. Fran-Dance 5:49 B3. Stella By Starlight 4:43
General notes about this release (please note: our version may differ a little. see the comments above):
- Matte cover
- Released in sealed shrink wrap
- Jazz Classics sticker on front cover (on shrink wrap)
- Direct Metal Mastering (DMM)
- Runouts are stamped
Reissues the 1958 monaural album Jazz Track on side A.
On rear cover:
[The original "Jazz Track" liner notes by Albert McCarthy is printed on rear cover.
Side A: Soundtrack for the film Ascenseur pour l'Echafaud (Frantic/Lift to the Scaffold): [.... Paris, December 4 & 5,1957.
Side B: New York, May 26, 1958.
Note: "Fran-Dance" appeared on some issues with the original title of the tune on which it is based: "Put Your Little Foot Right Out" (Larry Spier). Miles dedicated the number to his wife, dancer Francis Taylor Davis.
From liner notes:
Side B from an amazing 1958 session by the Miles Davis Sextet [....
