Rocket 88 - Rocket 88 (LP, Album, Spe)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
clean copy! barely played. Sleeve still in shrink wrap
€13,99

Including tax. Shipping costs are calculated at checkout

×

Shipping Policy

How long shipping takes depends on your address and the shipping method you selected. Shipping within the Netherlands, Belgium and Germany takes 1 to 2 days, while international shipping can take 1 to 4 weeks. You will receive a tracking code once we have shipped your order so you can follow the delivery status.

In stock

Would you like to give this record as a gift?

Genre: Jazz, Rock, Blues
Style: Jump Blues, Rock & Roll, Big Band, Piano Blues, Swing

Tracklist:
A1. Rocket 88
A2. Waiting For The Call
A3. St. Louis Blues
B1. Roll 'Em Pete
B2. Swindon Swing
B3. Roadhouse Boogie
B4. Talking About Louise



 



General notes about this release (please note: our version may differ a little. see the comments above):

Quoted directly from album notes written by Ian Stewart:
This album was recorded under less than ideal conditions at the Rotation Club in Hanover, West Germany - where the stage is 20 feet above the floor and most people watch from the sides. For some reason, the band was on fire that night, despite a long bus ride and the odd hangover or two. Although acoustically the club left much to be desired, I feel we have achieved one of the best live albums ever, with the sort of feeling that is never achieved in studios. Jack Bruce in particular played his ass off; and by the time "Roll 'Em Pete" ended the set, his fingers were bleeding profusely from playing double bass - something he has only rarely done in recent years. Although the album was recorded on 24 tracks, there are no instrumental overdubs. Everything is as it was on that night, and the editing scissors were only used on one number so that we could have four tracks on side two.


 

×