Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Post Bop
Tracklist:
A1. I Didn't Know What Time It Was 15:07 A2. Who Can I Turn To? 5:17 B1. My First Love Song 10:33 B2. Feeling Good 9:27 C1. Concern 11:46 C2. Like Someone In Love 5:43 D1. Invitation 8:36 D2. Poinciana 8:44 D3. Whisper Not 2:47
General notes about this release (please note: our version may differ a little. see the comments above):
Comes in a double-pocket gatefold jacket with a 12-pg 12" x 12" booklet.
RSD Exclusive Release. USA Record Store Day site states "Quantity: 3000", but back cover states "Limited edition 1st pressing of 5,000", which would be the worldwide quantity.
[From gatefold interior and booklet
Mixing and sound restoration by Sheldon Zaharko at Zed Productions, Vancouver, B.C.
LP Mastering by Bernie Grundman at Bernie Grundman Mastering, Hollywood, CA
[From hype sticker
Never-before-released Ahmad Jamal in the 1960s recorded at the Penthouse Jazz Club in Seattle
Official release supervised by Ahmad Jamal
Deluxe limited-edition 180-gram 2-LP set mastered by Bernie Grundman
Remastered audio transferred from the original tape reels
Includes an extensive booklet with previously-unpublished photos from Chuck Stewart and Don Bronstein; essays by jazz writer Eugene Holley Jr. and producer Zev Feldman, plus interviews with Ahmad Jamal, Jon Batiste, Kenny Barron, Aaron Diehl and Marshall Chess.
Runouts are etched. On side C in 'DD-0002-C' the '2' has been corrected from '3'. The "geometric" marks '1 I' on side A and '1 =' on sides B, C and D are mirrored.
Record Company Deep Digs Music Group Record Company Elemental Music Phonographic Copyright (p) Jazz Detective Copyright (c) Jazz Detective Copyright (c) Chuck Stewart Photography, LLC Copyright (c) Raymond Ross Archives Copyright (c) Fireball Entertainment Group Copyright (c) CTSIMAGES Recorded At The Penthouse, Seattle Mixed At Zed Productions, Vancouver, BC Mastered At Bernie Grundman Mastering Pressed By Optimal Media GmbH