Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Spirit 4:06 A2. We Got By 4:59 A3. Susan's Song 5:51 A4. You Don't See Me 4:52 B1. Lock All The Gates 5:30 B2. Raggedy Ann 3:00 B3. Letter Perfect 4:15 B4. Sweet Potato Pie 3:10 B5. Aladdin's Lamp 4:55
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded at Sound Labs, Hollywood
Mastered at The Mastering Lab, Hollywood
Reprise Records, a division of Warner Bros. Records Inc., a Warner Communications Company [Warner logo
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Last GEMA-only edition. Reprise Records/WEA Musik GmbH label layout as in use from 1983 with small Label Code at 6 o'clock. PE-lined standard inner sleeve with single hole and slightly brownish color.
Cover layout as in use since 1979. Lacquer A cut in 1981 or 1982, lacquer B in 1979 or 1980.
Succeeded in 1984 by GEMA/Biem edition [r=1536595.
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Previous GEMA-editions (year of manufacturing as per indicators):
[r=8269145: 1st edition, labels with price code (B), No LC, price code Ⓑ, TELDEC-Pressing (1975)
[r=9839519: Labels without price code, No LC, price code Ⓑ, TELDEC-Pressing (1975)
[r=6776429: No LC on labels, LC 0322 on cover, price code Ⓑ, TELDEC-Pressing (1976)
[r=6782689: LC 0322 (2 o'clock) on labels and cover, price code Ⓑ, TELDEC-Pressing (1977)
[r=9479049: LC 0322 (2 o'clock), 1978 company inner sleeve, price code Ⓩ, Alsdorf-Pressing (1978)
[r=9889790: LC 0322 (2 o'clock), price code Ⓩ/WE 341, Alsdorf-Pressing (1979 and 1980)
[r=6969670: LC 0322 (2 o'clock), price code Ⓩ/WE 341, Strawberry/Pfanz master, Alsdorf-Pressing (1981/82)
Barcode and Other Identifiers:
Rights Society GEMA Label Code LC 0322 Price Code Ⓩ Price Code WE 341 Other MS 2224 Other [Warner logo] Matrix / Runout R/S Alsdorf 54045 A3 x x 27 STRAWBERRY (G) Matrix / Runout WEA-54045-B² xx PF D 9̲
Record Company Warner Communications Recorded At Sound Labs, Hollywood Mastered At The Mastering Lab Phonographic Copyright (p) Warner Bros. Records Inc. Copyright (c) Aljarreau Music Lacquer Cut At Strawberry Mastering Lacquer Cut At Tonstudio Pfanz Pressed By Record Service Alsdorf Made By WEA Musik GmbH
A2. We Got By 4:59
A3. Susan's Song 5:51
A4. You Don't See Me 4:52
B1. Lock All The Gates 5:30
B2. Raggedy Ann 3:00
B3. Letter Perfect 4:15
B4. Sweet Potato Pie 3:10
B5. Aladdin's Lamp 4:55