Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
<i>Penmon Point</i> was realized in the winter 2002-03 in the Electroacoustic Music Studios of Bangor University (Wales, UK) and premiered on March 22, 2003 during the Electric Spring Festival in Huddersfield (UK). It was awarded First prize at the 5th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’03, Brazil). Penmon Point was recorded on the compact disc Música Maximalista / Maximal Music 10: V CIMESP 2003 in 2004.
<i>Llanddwyn Skies</i> was realized in the spring and early summer 2003 in the Electroacoustic Music Studios of Bangor University (Wales, UK) and was premiered on October 30, 2003 in Powis Hall, Bangor University (Wales, UK). It was also presented on February 13, 2004 during the Rien à voir (15) concert series at Espace GO in Montréal.
<i>Benllech Shells</i> was realized in the summer 2003 in the Electroacoustic Music Studios of Bangor University (Wales, UK); the 5.1 version was realized in 2007 in the same studios. Benllech Shells premiered on October 30, 2003 in Powis Hall, Bangor University (Wales, UK).
<i>Cable Bay</i> was realized in April 1999 in the studios of the Institut international de musique électroacoustique de Bourges (IMEB, France), with preparatory work undertaken in 1998 in the studios of Bangor University (Wales, UK) and premiered on May 29, 1999 as part of Synthèse, the Festival international de musique électroacoustique de Bourges (France). The piece was commissioned by the IMEB. Cable Bay was awarded First Prize at the Concurso Internacional ART’S XXI in 2001 in Valencia (Spain).
<i>Danses acousmatiques</i> was realized in the spring and summer 2007 in the Electroacoustic Music Studios of Bangor University (Wales, UK) and premiered on October 25, 2007 at SARC in Belfast (Northern Ireland, UK). Thanks to dobroide for the pigeon and bee samples.
1. Penmon Point 15:262. Llanddwyn Skies 14:493. Benllech Shells 8:334. Cable Bay 10:04. Danses Acousmatiques 35:455. Vacuum (La Scène Vide) 2:296. Danse Des Coups (Solo) 4:487. Shoal 3:378. Torquetum (Pas De Cinq) 2:559. Danse Atomique (Pas De Deux) 5:0310. Flock (Pas D’Action) 3:5611. Swarm 3:1712. Nebulum 3:0313. Danse Des Gestes (Pas De Trois) 6:21
