Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz
Tracklist:
A1. Up There 4:44 A2. One Hundred Ways 5:36 A3. Deja Vu 6:02 A4. Clouds 5:48 B1. Monk's Blues 4:38 B2. I Didn't Know About You 6:01 B3. Wright Or Ron 6:13 B4. A.A. Eh 3:53 B5. Everything Must Change 5:10
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded at Puget Sound, Toronto April 11 and 13th, 1983.
Mixed at Puget Sound
Thanks to Norma Thompson for patience and hot coffee during the session. From Bebop to Now Recordings wishes to thank Bill Smith and John Norris for their kind assistance in this project
Front cover photo of Archie Alleyne and Frank Wright in front of the Flat Iron Building, corner of Yonge & Wellington Streets, Toronto.
Back cover photo of Wray Downes and Steve Wallace at the Underground Railroad, Toronto.
A2. One Hundred Ways 5:36
A3. Deja Vu 6:02
A4. Clouds 5:48
B1. Monk's Blues 4:38
B2. I Didn't Know About You 6:01
B3. Wright Or Ron 6:13
B4. A.A. Eh 3:53
B5. Everything Must Change 5:10