Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Romantic, Neo-Romantic, Modern
Tracklist:
A1. The Sorcerer’s Apprentice (Scherzo) 10:04 A2. Till Eulenspiegel’s Merry Pranks, Op. 28 15:09 B1. Don Juan, Op. 20 (Tone Poem After Lenau) 17:18 B2. Romeo And Juliet, Op. 17: Queen Mab Scherzo 8:05
General notes about this release (please note: our version may differ a little. see the comments above):
— Recorded March 19, 1950 in NBC Studio 8-H (track A1)
— Recorded November 4, 1952 in Carnegie Hall (track A2)
— Recorded January 10, 1951 in Carnegie Hall (track B1)
— From the NBC Broadcast of November 10, 1951 in Carnegie Hall (track B2)
“Among the touchstones of the virtuoso orchestra and the virtuoso conductor”
Title on spine: ‘Strauss • Dukas • Berlioz ~ Toscanini’
A2. Till Eulenspiegel’s Merry Pranks, Op. 28 15:09
B1. Don Juan, Op. 20 (Tone Poem After Lenau) 17:18
B2. Romeo And Juliet, Op. 17: Queen Mab Scherzo 8:05