Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Stage & Screen Style:Soundtrack, Soft Rock, Pop Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Phonographic Copyright (p) BMG MusicPhonographic Copyright (p) Sugar Hill Records, Inc.Phonographic Copyright (p) Vestron Pictures, Inc.Copyright (c) BMG Records (UK) Ltd.Record Company Bertelsmann Music GroupDistributed By BMG RecordsDistributed By BMG AriolaDistributed By RCA RecordsLicensed From Sugar Hill Records, Inc.Licensed To BMG Records (UK) Ltd.Published By Copyright ControlPublished By Cromwell Music Ltd.Marketed By RCA RecordsProduced For Mike Curb ProductionsPressed By CBS Pressing Plant, Aston ClintonData provided by Discogs
Phonographic Copyright (p) BMG Music Phonographic Copyright (p) Sugar Hill Records, Inc. Phonographic Copyright (p) Vestron Pictures, Inc. Copyright (c) BMG Records (UK) Ltd. Record Company Bertelsmann Music Group Distributed By BMG Records Distributed By BMG Ariola Distributed By RCA Records Licensed From Sugar Hill Records, Inc. Licensed To BMG Records (UK) Ltd. Published By Copyright Control Published By Cromwell Music Ltd. Marketed By RCA Records Produced For Mike Curb Productions Pressed By CBS Pressing Plant, Aston Clinton
Sleeve:
Love Theme from the Vestron Motion Picture: "Dirty Dancing"
A-side ℗ 1987 BMG Music
B-side ℗ 1956 Sugar Hill Records Inc.
© BMG Records (UK) Ltd. 1987
Distributed in the UK by BMG Records. Distribué en Europe par BMG / Ariola.
Vetrieb en Europa durch BMG / Ariola. A Bertelsmann Music Group Company.
A-side: produced for Mike Curb Productions
B-side: courtesy of Sugar Hill Records, Inc.
© BMG Records (UK) Ltd.
Center labels:
℗ 1987 Vestron Pictures, Inc.
Marketed by RCA Records
B-side: licensed by Sugarhill Records, Inc.
A different UK paper labels version exists here [r=12356154.
A. Bill Medley, Jennifer Warnes - (I've Had) The Time Of My Life (Love Theme From "Dirty Dancing") B. Mickey & Sylvia - Love Is Strange
Barcode and Other Identifiers:
Barcode 5 012394 962579Barcode 5012394962579Matrix / Runout PB-49625-A1̶ 2 D Matrix / Runout PB-49625-B1̶ 2 ⋀ Matrix / Runout PB 49625 A‡Label Code LC 0316Price Code ACPrice Code RC110Price Code AA
Phonographic Copyright (p) BMG MusicPhonographic Copyright (p) Sugar Hill Records, Inc.Phonographic Copyright (p) Vestron Pictures, Inc.Copyright (c) BMG Records (UK) Ltd.Record Company Bertelsmann Music GroupDistributed By BMG RecordsDistributed By BMG AriolaDistributed By RCA RecordsLicensed From Sugar Hill Records, Inc.Licensed To BMG Records (UK) Ltd.Published By Copyright ControlPublished By Cromwell Music Ltd.Marketed By RCA RecordsProduced For Mike Curb ProductionsPressed By CBS Pressing Plant, Aston ClintonData provided by Discogs