Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Banal 3:52 A2. Living In My Limousine 4:09 A3. Vertical Games 3:15 A4. Disposable 5:53 A5. False Alarms 2:50 A6. Decline And Fall 4:41 B1. Life Runs Out Like Sand 5:22 B2. A Kind Of Loving 4:15 B3. Do You Dream In Colour 3:45 B4. U.H.F. 4:40 B5. Youth Of Nation On Fire 4:03 B6. Quit Dreaming And Get On The Beam 3:38 . Sounding The Ritual Echo (Atmospheres For Dreaming) C1. Annunciation 2:10 C2. The Ritual Echo 1:31 C3. Sleep 3:26 C4. Near East 2:18 C5. Emak Bakia 3:29 C6. My Intricate Image 3:23 C7. Endless Orchids 3:20 C8. The Heat In The Room 1:02 D1. Another Willingly Opened Window 3:48 D2. Vanishing Parades 3:27 D3. Glass Fish (For The Final Aquarium) 2:57 D4. Cubical Domes 2:33 D5. Ashes Of Roses 3:04 D6. The Shadow Garden 4:10 D7. Opium 1:48
General notes about this release (please note: our version may differ a little. see the comments above):
Side A + B = Quit Dreaming And Get On The Beam (cat#: 6359 055)
Side C + D = Sounding The Ritual Echo (Atmospheres For Dreaming) (cat#: ECHO 1)
Red Noise make a guest appearance on Track A4 as Steve Peer, Rick 'Pinky' Ford & Andy Clark.
Record 1 (Quit Dreaming & Get On The Beam)recorded by Bill Nelson and John Leckie using 'The Mobile Studio' on location in Yorkshire. Mixing realised at Air Studios, London.
Tracks A4 & B1 were recorded and mixed at R.A.K. Studios, London.
Track B4 Produced by Bill Nelson and engineered
by Ted Sharp at Rockfield Studios, Monmouth, South Wales.
Track B5 Produced by Bill Nelson and engineered by Bob Whitley at September Sound Studios, Huddersfield, Yorkshire.
Record 2 (Sounding The Ritual Echo)
Created, Played & Recorded by Bill Nelson at The Echo Observatory, Yorkshire.
Both albums come with printed inner sleeves with lyrics and/or credits.
Marketed By Phonogram Phonographic Copyright (p) Phonogram Ltd. Copyright (c) Phonogram Ltd. Published By Arnakata Music Ltd. Published By Warner Bros. Music Ltd. Published By Nelsongs Published By Arnakata Publishing Ltd. Record Company Phonogram Ltd. Pressed By PRS Ltd. Lacquer Cut At Tape One Recorded At The Echo Observatory Recorded At RAK Studios Mixed At Air Studios Mixed At RAK Studios Engineered At Rockfield Studios Engineered At September Sound Studios
