Billie Holiday - The Greatest Interpretations Of Billie Holiday (The Complete Commodore Recordings) (2xCD, Comp, RM)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Near Mint (NM or M-)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€8,99

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Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz, Blues
Style: Swing, Vocal

General notes about this release (please note: our version may differ a little. see the comments above):

Issued in double fat jewel case, comes with 40 pages booklet & obi.

 

1-1. Strange Fruit 3:161-2. Strange Fruit (Master Take) 3:101-3. Yesterdays (Master Take) 3:231-4. Yesterdays 2:581-5. Fine And Mellow (Master Take) 3:121-6. I Gotta Right To Sing The Blues 2:511-7. I Gotta Right To Sing The Blues (Master Take) 2:451-8. How Am I To Know 2:271-9. How Am I To Know 2:361-10. How Am I To Know 2:381-11. How Am I To Know (Master Take) 2:431-12. My Old Flame 3:181-13. My Old Flame 3:051-14. My Old Flame 3:091-15. My Old Flame (Master Take) 3:011-16. I'll Get By (Master Take) 2:571-17. I'll Get By 2:561-18. I Cover The Waterfront 3:491-19. I Cover The Waterfront 3:411-20. I Cover The Waterfront 3:201-21. I Cover The Waterfront (Master Take) 3:291-22. I'll Be Seeing You 3:371-23 . I'll Be Seeing You (Master Take) 3:302-1. I'll Be Seeing You 3:262-2. I'm Yours 3:112-3. I'm Yours 3:232-4. I'm Yours (Master Take) 3:152-5. Embraceable You 3:132-6. Embraceable You 3:122-7. Embraceable You (Master Take) 3:152-8. As Time Goes By (Master Take) 3:102-9. As Time Goes By 3:142-10. He's Funny That Way 3:042-11. He's Funny That Way 3:022-12. Lover, Come Back To Me 3:232-13. Lover, Come Back To Me 3:132-14. He's Funny That Way 3:332-15. He's Funny That Way 3:152-16. He's Funny That Way (Master Take) 3:152-17. Lover, Come Back To Me (Master Take) 3:192-18. Lover, Come Back To Me 3:172-19. I Love My Man (Billie's Blues) (Master Take) 3:072-20. I Love My Man (Billie's Blues) 3:272-21. I Love My Man (Billie's Blues) 2:532-22. On The Sunny Side Of The Street (Master Take) 3:01

 

Barcode and Other Identifiers:

Rights Society JASRAC

 

Record Company King Record Co. LtdPhonographic Copyright (p) King Record Co. LtdData provided by Discogs
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