Billy Oskay And Mícheál Ó Domhnaill - Nightnoise (LP, Album)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
one bend corner
€8,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz
Style: New Age

Tracklist:
A1. Nightnoise 4:17
A2. The 19A 3:08
A3. Bridges 7:43
A4. False Spring 4:12
A5. Duo 3:32
B1. City Nights 3:26
B2. After Five 3:12
B3. Menucha (A Place With Water) 4:33
B4. The American Lass 3:05
B5. The Cricket's Wicket 6:16



 



General notes about this release (please note: our version may differ a little. see the comments above):

Recorded during 1983 at the home of Billy Oskay, Portland, OR.
Mixed in february 1984, Recording Associates; Portland, OR.

Special thanks to Windell Oskay, Peggy Feindt, Tom Bocci, Barry Poss, Steven Miller and Mike Moore.

Instruments:
1962 Viola, 1964 Violin: Wm. F. Oskay.
1977 Guitar; Kenny White.
Yamaha C7D Grand Piano, Harmonium and Whistles.

Manufactured by Windham Hill Records.
A Division of Windham Hill Productions Inc.
Box 9388, Stanford, CA 94305.

©℗ Windham Hill Records, 1984.

 

Barcode and Other Identifiers:

Matrix / Runout WH 1031A-RT2 17942
Matrix / Runout WH-1031-B-RE1-RT1 7942 Mas 2 18137 (3)
Matrix / Runout WH 1031A-RT2 Mot #2 17942 Mas # III
Matrix / Runout WH 1031B-RT2 17943(3) Mot 2
Matrix / Runout WH-1031-A-SH1 SLM △ 9522 1-2
Matrix / Runout WH-1301-B-SH1 SLM △ 95222-X 1-1
Matrix / Runout WH-1031-A-SH2 SLM △ 9522 1-2 3-EMW-3
Matrix / Runout WH-1301-B-SH2 SLM △ 9522-X 1-2 4EMW[cursive]4

 

Mastered At Bernie Grundman Mastering
Manufactured By Windham Hill Productions Inc.
Distributed By A&M Records, Inc.
Phonographic Copyright (p) Windham Hill Records
Copyright (c) Windham Hill Records
Mixed At Recording Associates

Data provided by Discogs
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