Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
Repressed Nov 2020 using the same acetates and exactly the same artwork.
Limited edition 1000 copies.
First 100 copies bought directly from Biophon website were signed by G.Jenssen .
www.world-nuclear.org/info/inf79.html
Thanks to: Egbert Mittestädt, Mark Fell, Mat Steel, Chris Watson, Victor Joaquim, Jens Chr. Kloster, Naut Humon, Rafael Irisarri, Hanne Brochmann, Trine Falch, Stein Bjelland, Martin Reed, Jens Flemming Krøger, Jon Tombre, Ingun Bjørnsgaard, Thomas Björk, Mat Schulz, Gosia Plysa, Szymon Zesławski, Mikołaj Rogowski, Lei Yang, Svein I Pedersen, Carl Michael von Hausswolff, Andreas Tilliander, Philip Marshall, Nicholas H. Møllerhaug, Hugh Brunt, Thomas Arslan, Oscar Pizzo, Manuel Zurria, Gianluca Ruggeri, Anna Cremonini, Monica Regini, Tadeusz Łuczejko, Nils Petter Molvær, Mieczysław Bielawski, Łukasz Szalankiewicz, Erik Skjoldbærg, Christian Zanési, Yong Philippe Dao, Mike Harding, Jon Wozencroft, Ole Pramli, Per Martinsen, Aggie Peterson, Christian Hollingsæter, Knut Fjørtoft, Albert & Andrea, and Magdalena Żesławska.
www.biosphere.no
www.touchmusic.org.uk
原子力プラント
P & C 2011 Touch
Published by Touch Music [MCPS
Recorded in Korzeniowski Studio, Kraków, 2/11
Made in the EU
Phonographic Copyright (p) Biophon Records Copyright (c) Biophon Records Published By Touch Music Recorded At Korzeniowski Studio Mastered At Scape Mastering Lacquer Cut At Scape Mastering Phonographic Copyright (p) Touch Copyright (c) Touch
