Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Swing
Tracklist:
A1. Toad In The Hole Part 2 A2. She's Funny That Way A3. I Got Rhythm A4. 'Swonderful A5. Don't Blame Me B1. Somebody Stole My Gal B2. Leeman. Freeman & Nod B3. Evelyn Wabash Blues B4. The Birth Of The Blues B5. Way Down Yonder In New Orleans B6. Kick In The Ascot
General notes about this release (please note: our version may differ a little. see the comments above):
LAWRENCE FREEMAN "BUD" with JESS STACY AND CLIF LEEMAN
Produced by Hank O'Neal
Graphics / liner : John De Vries
Engenering: Fred Miller / Warp Studios
Distributed by Audio Fidelity Enterprises / 221 W. 57th St. New York 10019
Copyright c 1975 Chiaroscuro Records , Inc.
A2. She's Funny That Way
A3. I Got Rhythm
A4. 'Swonderful
A5. Don't Blame Me
B1. Somebody Stole My Gal
B2. Leeman. Freeman & Nod
B3. Evelyn Wabash Blues
B4. The Birth Of The Blues
B5. Way Down Yonder In New Orleans
B6. Kick In The Ascot