Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:Industrial, Experimental
Tracklist:
A1. Untitled 5:51 A2. On Every Other Street 4:16 A3. Nag, Nag, Nag 4:55 A4. The Set Up 4:13 B1. Expect Nothing 6:18 B2. Havoc 3:02 B3. Here She Comes Now 4:12 B4. No Escape 3:42 B5. Baader Meinhof 4:10
General notes about this release (please note: our version may differ a little. see the comments above):
Original pressing with "ROUGH 7" runouts, and no added publishing credits on B-side label.
Recorded by Scott Piering on a cassette player and cut by George Peckham at Portland Recording Studios.
Track A1 was later recorded and included in the LP "The Voice Of America" as "Damage Is Done".
B3 originally by [a39766
B4 originally by [a252524
Both labels: Copyright Control 1980
Barcode and Other Identifiers:
Matrix / Runout ROUGH 7 A (ALI) BL⋅2⋅A⋅1 A LIVELY PORKY PRIME CUT Matrix / Runout ROUGH 7 B BL 2 B₃ A PORKY PRIME CUT EG B
Published By Copyright Control Lacquer Cut At Portland Studios Pressed By Allied Records Ltd.
A2. On Every Other Street 4:16
A3. Nag, Nag, Nag 4:55
A4. The Set Up 4:13
B1. Expect Nothing 6:18
B2. Havoc 3:02
B3. Here She Comes Now 4:12
B4. No Escape 3:42
B5. Baader Meinhof 4:10