Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Pop Style:Chanson, Ballad, Schlager
Tracklist:
A1. Caterina Valente - Das Ist Die Hafenmelodie A2. Caterina Valente - Du Wirst Alles Vergessen A3. Club Italia - Ich Wär' So Gern Bei Dir A4. Club Indonesia - Adieu, Adieu, Du Mein Schönes Samoa A5. Club Italia - Papa Piccolino A6. Caterina Valente - Melodia D'Amore A7. Caterina Valente - Ou Es-Tu Ma Joie A8. Caterina Valente - Rendezvous B1. Caterina Valente - Moi, J'Aime T'Aimer B2. Caterina Valente - Complainte De Mackie B3. Caterina Valente - Si Tout Etait Fini B4. Club Manhattan - Lorsque L'Amour Vient B5. Club Italia - La Chanson De Piccolino B6. Caterina Valente - Brava Caterina B7. Caterina Valente - Cos'E La Nostalgia B8. Caterina Valente - Mai Mai Mai
General notes about this release (please note: our version may differ a little. see the comments above):
A7 to B5 sung in French, B6 to B8 sung in Italian.
A1 ℗ 1957, Original Polydor H 50348 / NH 23348 - aufgenommen 14. Oktober 1956 Im Messesaal Köln | A2 ℗ 1956 Original Polydor H 50348 / NH 23348 - aufgenommen 14. Oktober 1956 Im Messesaal Köln | A3 ℗ 1956 Original Polydor H 50349 / NH23349 - aufgenommen 12. Oktober 1956 Im Messesaal, Köln | A4 ℗ 1956 Original Polydor H 50349 / NH23349 - aufgenommen 12. Oktober 1956 Im Messesaal, Köln | A5 ℗ 1957 Original Polydor H 50520 / NH 23520 - a.d. Film "Casino de Paris" - aufgenommen 4. Februar 1957 im Messesaal Köln | A6 ℗ 1957 Original Polydor H 50520 / NH 23520 - a.d. Film "Casino de Paris" - aufgenommen 29. Januar 1957 im Messesaal Köln | A7 ℗ 1957 Original Polydor EPH 20770 - a.d. Film "Casino de Paris" - aufgenommen 3. Mai 1957 im Messesaal Köln | A8 ℗ 1957 Original Polydor EPH 20770 - a.d. Film "Casino de Paris" - aufgenommen 3. Mai 1957 im Messesaal Köln | B1 ℗ 1956 Polydor Original Polydor EPH 20566 - Synchronisation auf das Original Playback aufgenommen 14. Oktober 1956 im Messesaal, Köln | B2 ℗ 1956 Polydor Original Polydor EPH 20566 - Synchronisation auf das Original Playback aufgenommen 14. Oktober 1956 im Messesaal, Köln | B3 ℗ 1956 Original Polydor H 49710 / NH 22710 - Synchronisation auf das Original Playback vom 28. Februar 1956, aufgenommen am 8. Mai 1956 im Theatre Pigalle, Paris | B4 ℗ 1957 Original Polydor EPH 20969 - Synchronisation auf das Original Playback aufgenommen am 31. Januar 1957 im Messesaal Köln | B5 ℗ 1957 Original Polydor NH 66051 - a.d. Film "Casino de Paris" - Synchronisation auf das Original aufgenommen 4. Februar 1957 im Messesaal Köln | B6 ℗ 1957 Original Polydor NH 66550 - Synchronisation auf das Original aufgenommen 3. Mai 1957 im Messesaal Köln | B7 ℗ 1957 Original Polydor NH 66550 - Synchronisation auf das Original aufgenommen 3. Mai 1957 im Messesaal Köln | B8 ℗ 1957 Original Polydor NH 66051 - Synchronisation auf das Original aufgenommen 4. Februar 1957 im Messesaal Köln
