Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Modern
General notes about this release (please note: our version may differ a little. see the comments above):
LABELS:
- Blue labels / Black text
- Catalog Number: SBRG 72403
- US Catalog Number in brackets: (MS 6775)
- "MADE IN ENGLAND" at 6 o'clock
- CBS logo surrounding spindle hole
- "This recording was made possible by a grant from the Samuel Rubin Foundation" at 6 o'clock
- "MCPS" Rights Society at 3 o'clock
- "℗ 1966" at 4 o'clock
- Associate conductor David Katz wrongly printed on both labels as "DAVID DATZ"
SLEEVE:
- Front laminated
- No flipbacks
- Catalog Number: 72403 (on front and back)
- Sleeve Notes by Leonard Marcus, Programme Annotator for the American Symphony Orchestra
- Reviews of the first performance of the Symphony (same performers) by Harold C. Schonberg, Miles Kastendieck, William Bender and Time Magazine.
- "Cover Photo: Otto Stupakoff Bunting Courtesy of American Banner Co."
- "This recording was made possible by a grant from the Samuel Rubin Foundation" under front cover photograph
