Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz
General notes about this release (please note: our version may differ a little. see the comments above):
CHET BAKER, vocals & trumpet
KENNY DREW, piano
SAM JONES, bass
GEORGE MORROW, bass(replaces Sam Jones on A1-A2, A5 & B2-B3)
PHILLY JOE JONES, drums
DANNIE RICHMOND, drums (replaces Philly Joe Jones on A3-A4 & B4
New York, August 1958.
Original sessions produced by Bill Grauer.
*BONUS TRACKS (A6 & B6):
CHET BAKER (vocals & trumpet) with Len Mercer’s Orchestra. Milan, Italy, September 29 (B6) & October 5 (A6), 1959.
Originally issued as Chet Baker Sings It Could Happen to You (Riverside Records RLP-12-278).
1. Do It The Hard Way 3:032. I'm Old Fashioned 5:073. You're Driving Me Crazy 2:574. It Could Happen To You 2:535. My Heart Stood Still 3:286. Forgetful 2:431. The More I See You 3:062. Everything Happens To Me 5:053. Dancing On The Ceiling 3:094. How Long Has This Been Going On? 4:115. Old Devil Moon 2:586. My Funny Valentine 5:01
