Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Folk World & Country Style:Country Rock, Country
Tracklist:
A1. Step On Out 3:16 A2. Slippin' Away 3:43 A3. Falling Again 4:06 A4. Take It On The Run 3:23 A5. Blue Morning 3:50 B1. Witching Hour 4:24 B2. Down In The Churchyard 4:02 B3. Love Is The Sweetest Amnesty 3:42 B4. Midnight Again 3:35 B5. (Take Me In Your) Lifeboat 2:45
General notes about this release (please note: our version may differ a little. see the comments above):
Specialty Records Corporation pressing denoted by "SP" plant code on labels and "SRC" stamp in runouts. "Blue Sky" labels.
Issued with photo-credit insert sheet.
Illustration by Edward Borein courtesy of MJB
Recorded at Sound Labs and Cherokee Studios, Los Angeles, California
Mixed by Howard Albert and Ron Albert at Criteria Studios / Mastered by Alex Sadkin at Criteria Studios; Miami, Florida
Barcode and Other Identifiers:
Pressing Plant ID SP Price Code 0698 Rights Society BMI Rights Society ASCAP Matrix / Runout 7E-1062-A SP Matrix / Runout 7E-1062-B SP Matrix / Runout SRC 7E-1062-RE-A-SP 1-1 MASTERFONICS Matrix / Runout 7E-1062-RE-B-SP SRC 1-1 MASTERFONICS
Phonographic Copyright (p) Asylum Records Phonographic Copyright (p) Elektra/Asylum/Nonesuch Records Copyright (c) Elektra/Asylum/Nonesuch Records Produced For Fat Albert Productions Inc. Recorded At Sound Labs, Hollywood Recorded At Cherokee Studios Mixed At Criteria Recording Studios Mastered At Criteria Recording Studios Lacquer Cut At Masterfonics Pressed By Specialty Records Corporation Manufactured By Elektra/Asylum/Nonesuch Records Record Company Warner Communications Inc. Published By Bar None Music Published By Gold Hill Music, Inc. Published By Irving Music, Inc. Published By Foscoe Songs
