Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Renaissance, Baroque
Tracklist:
A1. Letterea Amorosa (Settimo Libro), 1619 A2. Ohimè Ch'io Cado (Libro Nono) A3. La Mia Turca (Libro Nono) A4. Si Dolce È Il Tormento (Libro Nono) . Scherzi Musicali, 1632 B1. Maladetto Sia L'aspetto B2. Et È Pur Dunque Vero B3. Eri Già Tutta Mia B4. Ecco Di Dolci Raggi - Io Ch'armato Sin Hor B5. Quel Sguardo Sdegnosetto
General notes about this release (please note: our version may differ a little. see the comments above):
Édition : Oeuvres complètes de Monteverdi : Volumes VII, IX et X (Malipiero) Universal Edition
Enregistrement : Paris, Septembre 1967 - Clavecin : Neupert mis à disposition par Claude Mercier-Ythier, Paris
Gravure Universelle
Microsillion Stéréophonique
. Madrigali
Barcode and Other Identifiers:
Matrix / Runout SX225 Matrix / Runout SX226
Phonographic Copyright (p) Valois Printed By Imp. Desgrandchamps
