Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:House
General notes about this release (please note: our version may differ a little. see the comments above):
On front cover:
"Erstauflage in farbigem Vinyl" (First Edition In Black & White Marbled Vinyl.)
Junior Reid Is A Member Of Black Uhuru
"Sorry But This Just Isn't Music"
A. Stop This Crazy Thing 7:32B1. Stop This Crazy Thing (Speng) 7:23B2. Stop This Crazy Thing (Instrumental) 4:30
Barcode and Other Identifiers:
Label Code LC 1109Matrix / Runout DMC - 3887 A - 1/8-88Matrix / Runout DMC - 3887 B - 1/8-88Rights Society GEMA
Phonographic Copyright (p) Big Life MusicCopyright (c) Big Life MusicMarketed By Intercord Ton GmbHLicensed To Intercord Ton GmbHRecorded At Livingston StudiosData provided by Discogs
Barcode and Other Identifiers:
Label Code LC 1109 Matrix / Runout DMC - 3887 A - 1/8-88 Matrix / Runout DMC - 3887 B - 1/8-88 Rights Society GEMA
Phonographic Copyright (p) Big Life Music Copyright (c) Big Life Music Marketed By Intercord Ton GmbH Licensed To Intercord Ton GmbH Recorded At Livingston Studios
