Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Big Band
General notes about this release (please note: our version may differ a little. see the comments above):
Contains 8p booklet
CD1: recorded in Europe ca. 1958/1959
CD2: recorded ca. 1955-1959
Discs Made in Portugal, cover made in Belgium
Licenced fron Intermusic S.A. under rights from Lafayette Music Group
1-1. In A Mellotone 6:011-2. The Midgets 9:241-3. Whirly Bird 4:071-4. Basie Boogie 2:481-5. The Deacon 6:151-6. Cute 4:081-7. Ol' Man River 7:581-8. The Kid From Redbank 3:491-9. Spring Is Here 4:021-10. Why Not? 3:501-11. Corner Pocket 5:271-12. Little Pony 2:471-13. Bee Blop Blues 2:322-1. Moton Swing 5:272-2. Bubbles 4:162-3. How High The Moon 3:562-4. You're Not The Kind 3:132-5. Jumpin' At The Woodside 4:572-6. Blues Backstage 4:522-7. Peace Pipe 2:592-8. Plymouth Rock 6:292-9. Shiny Stockings 5:012-10. H.R.H. 2:272-11. Bag-A-Bones 2:122-12. Swingin' The Blues 3:512-13. Blue On Blue 3:132-14. No Moon At All 2:392-15. Alright, Okay, You Win 3:022-16. Fancy Meeting You 2:35
Barcode and Other Identifiers:
Barcode 8712177020348Rights Society SPASPARS Code ADD
