Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
Including tax.
Shipping costs
are calculated at checkout
×
Shipping Policy
How long shipping takes depends on your address and the shipping method you selected.
Shipping within the Netherlands, Belgium and Germany takes 1 to 2 days, while international
shipping can take 1 to 4 weeks. You will receive a tracking code once we have shipped your
order so you can follow the delivery status.
1 in stock
Would you like to give this record as a gift?
×
Gift wrapping
Would you like to give this record as a gift?
We wrap it beautifully for you, with quality wrapping paper, stickers and ribbon.
Perfect for birthdays, Christmas gifts or other occasions.
In your shopping cart, tick “Add gift wrapping (€1,99)” for each product
you would like to receive wrapped.
This is what your gift will look like:
Curious how we wrap your record festively?
Click here
✓
Pickup available at Vinyleers warehouse (open on weekdays)
Usually ready within 24 hours
Genre:Rock Style:Experimental
General notes about this release (please note: our version may differ a little. see the comments above):
Records has a barcode sticker on the back
Cover is made of matt cardstock
Vinyl housed in a black paper die cut non polylined inner bag with white inner
Information concerning record label on the back:
"RESEARCH RECORDS 2017
CAT NO: RESEARCH01
hello@researchrecords.com.au
57 Palmerston St. Carlton
Victoria, Australia 3053"
For the 10 years between 2002 and 2012, cosmic nomad Damo Suzuki made annual trips to Australia, zigzagging across the country to perform improvised sets with a constant rotation of unacquainted sound carriers. While most of these limitless jams only existed in a passing flash, one special document exists - The Swiftsure Session.
Recorded deep in the Melbourne suburbs at Corduroy Records in 2004, these 48 minutes of free energy were cut direct to vinyl in real time. No overdubs or editing. Nothing but live tension. Dualling guitarists Emil Sarlija and Oren Ambarchi (later of hysterical prog group Superstupid) wandered blindly to a rhythm section anchored by Augie March's Davey Williams and Edmondo Ammendola, while Damo exercised his voice as an instrument, often indecipherable, inviting the listener to create their own stories. In this room, every sound carrier is equal, opting out of any cues or direction. The only direction is UP!
Damo's spirit comes with one consideration - audience members must be present as playing to cold studio machines restricts the communication. To bridge a feedback loop, 20-30 friends and fans banded around the shared space. Engineer Harry Williamson, who has his own psychedelic history as a member of Nik Turner's Sphynx and Mother Gong, manned the controls, ready to flip the acetate.
Rushed to press to beat the plant's imminent closure, the original short run of The Swiftsure Session stretched 2LPs with a blank side. Here it is boiled down to a single disc, maximising the listening experience.
Records has a barcode sticker on the back
Cover is made of matt cardstock
Vinyl housed in a black paper die cut non polylined inner bag with white inner
Information concerning record label on the back:
"RESEARCH RECORDS 2017
CAT NO: RESEARCH01
hello@researchrecords.com.au
57 Palmerston St. Carlton
Victoria, Australia 3053"
For the 10 years between 2002 and 2012, cosmic nomad Damo Suzuki made annual trips to Australia, zigzagging across the country to perform improvised sets with a constant rotation of unacquainted sound carriers. While most of these limitless jams only existed in a passing flash, one special document exists - The Swiftsure Session.
Recorded deep in the Melbourne suburbs at Corduroy Records in 2004, these 48 minutes of free energy were cut direct to vinyl in real time. No overdubs or editing. Nothing but live tension. Dualling guitarists Emil Sarlija and Oren Ambarchi (later of hysterical prog group Superstupid) wandered blindly to a rhythm section anchored by Augie March's Davey Williams and Edmondo Ammendola, while Damo exercised his voice as an instrument, often indecipherable, inviting the listener to create their own stories. In this room, every sound carrier is equal, opting out of any cues or direction. The only direction is UP!
Damo's spirit comes with one consideration - audience members must be present as playing to cold studio machines restricts the communication. To bridge a feedback loop, 20-30 friends and fans banded around the shared space. Engineer Harry Williamson, who has his own psychedelic history as a member of Nik Turner's Sphynx and Mother Gong, manned the controls, ready to flip the acetate.
Rushed to press to beat the plant's imminent closure, the original short run of The Swiftsure Session stretched 2LPs with a blank side. Here it is boiled down to a single disc, maximising the listening experience.
A. Part 1 23:58B. Part 2 23:55
Barcode and Other Identifiers:
Barcode 5050580676640Matrix / Runout MPO RESEARCH01 AMatrix / Runout MPO RESEARCH01 B
Distributed By Kudos WorldwideData provided by Discogs