Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Pop Style:Alternative Rock, Art Rock
General notes about this release (please note: our version may differ a little. see the comments above):
40th Anniversary Edition Picture Disc.
Publisher (A):
North America – Tintoretto Music (BMI) administered by RZO Music, Inc., Unitunes Music (ASCAP) a Division of Unidisc Music Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd., Universal Music Careers (BMI).
Rest of World - Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Universal Music MGB Ltd., Unitunes Music (ASCAP) a Division of Unidisc Music Inc.
Publisher (AA):
North America – Tintoretto Music (BMI) administered by RZO Music Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd., Universal Music Careers (BMI).
Rest of World - Tintoretto Music/RZO Music Ltd., EMI Music Publishing Ltd., Universal Music MGB Ltd.
Track A: ℗ 2017 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd.
Track AA: ℗ 1979 The copyright in this sound recording is owned by FreemantleMedia.
This version was recorded in London on 9 April 1979. The Kenny Everett Video Show was filmed on the following day, and broadcast on 23 April 1979.
Record Company Warner Music GroupRecord Company Unidisc Music Inc.Licensed To Parlophone Records Ltd.Phonographic Copyright (p) Parlophone Records Ltd.Phonographic Copyright (p) Jones/Tintoretto Entertainment Co., LLCPhonographic Copyright (p) FremantleMediaCopyright (c) Jones/Tintoretto Entertainment Co., LLCCopyright (c) Parlophone Records Ltd.Copyright (c) The David Bowie ArchiveCopyright (c) FremantleMediaPublished By Tintoretto MusicPublished By RZO Music, Inc.Published By Unitunes MusicPublished By Screen Gems-EMI Music Inc.Published By EMI Music Publishing Ltd.Published By Universal Music-CareersPublished By RZO Music Ltd.Published By Universal Music MGB Ltd.Pressed By Optimal Media GmbHMixed At Human Worldwide StudiosMastered At Air MasteringDesigned At Gas AssociatesData provided by Discogs
Barcode and Other Identifiers:
Barcode 190295471910 Label Code LC30419 Matrix / Runout BJ62270 - 01 A1 1Λ 0190295471910 Matrix / Runout BJ62270 - 01 B1 1Λ 0190295471910 Matrix / Runout DBDJ 40A Matrix / Runout DBDJ 40AA Rights Society GEMA/MCPS Rights Society BMI Rights Society ASCAP
Record Company Warner Music Group Record Company Unidisc Music Inc. Licensed To Parlophone Records Ltd. Phonographic Copyright (p) Parlophone Records Ltd. Phonographic Copyright (p) Jones/Tintoretto Entertainment Co., LLC Phonographic Copyright (p) FremantleMedia Copyright (c) Jones/Tintoretto Entertainment Co., LLC Copyright (c) Parlophone Records Ltd. Copyright (c) The David Bowie Archive Copyright (c) FremantleMedia Published By Tintoretto Music Published By RZO Music, Inc. Published By Unitunes Music Published By Screen Gems-EMI Music Inc. Published By EMI Music Publishing Ltd. Published By Universal Music-Careers Published By RZO Music Ltd. Published By Universal Music MGB Ltd. Pressed By Optimal Media GmbH Mixed At Human Worldwide Studios Mastered At Air Mastering Designed At Gas Associates