Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Rock Style:Alternative Rock
Tracklist:
A1. Life On Mars? 3:50 A2. Sweet Thing / Candidate / Sweet Thing (Reprise) 8:47 A3. The Bewlay Brothers 5:22 A4. Lady Grinning Soul 3:51 A5. Win 4:43 A6. Some Are 3:14 B1. Teenage Wildlife 6:52 B2. Repetition 3:00 B3. Fantastic Voyage 2:55 B4. Loving The Alien 7:08 B5. Time Will Crawl (MM Remix) 4:25 B6. Intro / Hang On To Yourself (Live) 3:08
General notes about this release (please note: our version may differ a little. see the comments above):
A limited pressing on red vinyl for the V&A Museum's "David Bowie Is" exhibition world tour.
2500 copies pressed with the first 200 copies released at the [l967830 during the exhibition’s run from 3rd March to 31st of May 2015.
A further 500 copies sold exclusively when "David Bowie Is" moved to the [l1480744 (ACMI) in Melbourne, which ran from 16 July to the 1st of November 2015.
A significant quantity of this limited edition was available when "David Bowie Is" moved to the MAMBO in Bologna (July/November 2016).
Additional copies were also sold at the [l1439602 “David Bowie Is" exhibition that ran from March 2 to July 15, 2018.
4 page printed insert included containing track by track notes and credits.
Tracks A1, A3 Digital remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 1718.
Track A2 Digital remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 20141.
Track A4 Digital remaster ℗ 2003 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 2162.
Track A5 Digital remaster ℗ 2007 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 20174.
Track A6 Digital remaster ℗ 2008 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Recorded between 1976 and 1979.
Track B1 Digital remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 30425.
Tracks B2, B3 Digital remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 22318.
Track B4 Digital remaster ℗ 1999 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 49182.
Track B5 ℗ 2008 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Track B6 Recorded live at the Santa Monica Civic Auditorium, Los Angeles, October 20th, 1972.
℗ 2008 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Taken from the album 51498.
Barcode 8 25646 25707 2 Barcode 825646257072 Rights Society BMI Rights Society ASCAP Rights Society PRS Matrix / Runout S-91502 RE-1 Matrix / Runout S-91503 RE-3
Record Company Warner Music Group Licensed To EMI Records Ltd. Phonographic Copyright (p) Jones/Tintoretto Entertainment Co., LLC Phonographic Copyright (p) Parlophone Records Ltd. Copyright (c) Jones/Tintoretto Entertainment Co., LLC Copyright (c) Parlophone Records Ltd. Pressed By Rainbo Records Pressed By Rainbo Records Published By Tintoretto Music Published By RZO Music, Inc. Published By Screen Gems-EMI Music Inc. Published By EMI Music Publishing Ltd. Published By Chrysalis Songs Published By RZO Music Ltd. Published By Chrysalis Music Ltd. Published By Jones Music America Published By ARZO Publishing Published By Colgems-EMI Music Inc. Published By Chrysalis Music Published By Upala Music Inc. Published By Opal Music Published By Onward Music Published By Universal Music-Careers Published By Universal Music MGB Ltd. Published By Copyright Control Recorded At Santa Monica Civic Auditorium Remixed At Trident Studios Mastered At Sterling Sound Designed At Gas Associates
