Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock
Tracklist:
A1. River Rise A2. I Think I A3. The Other Side Of Midnight A4. Rodriguez For A Night A5. Secret Dancer B1. Ships In The Night B2. For Free B3. Boxes B4. Shot At Me B5. I Won’t Stay For Long
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded at The Bamboom Room, Altadena; Hz Werks, Van Nuys; Joel Jacks Studios, Santa Ynez; Groove Masters, Santa Monica; Stubbs Recording, Spring Hill, TN; Tomorrow's Sound Today Professional Quality Recording Studio, Studio City
Mixed at The Bamboom Room, Altadena; Sunset Sound, Hollywood; Carbonite Sound, Ojai
Mastered at Bernie Grundman Mastering, Hollywood
Track A1: Crozsongs (SESAC) / Genevieve Music (ASCAP) / Proudfoot Music (ASCAP)
Track A2: Crozsongs (SESAC) / Less Blue Music (BMI) / Proudfoot Music (ASCAP)
Track A3, B3, B5: Proudfoot Music (ASCAP)
Track A4: Freejunket Music (ASCAP) / Crozsongs (SESAC) / Proudfoot Music (ASCAP)
Track A5: Crozsongs (SESAC) / Proudfoot Music (ASCAP)
Track B1: Crozsongs (SESAC)
Track B2: Crazy Crow Music (ASCAP)
Track B4: Crozsongs (SESAC) / Dean Parks Publishing (BMI)
David Crosby: Crozsongs (SESAC)
Michael McDonald: Genevieve Music (ASCAP)
James Raymond: Proudfoot Music (ASCAP)
Steve Postell: Less Blue Music (BMI)
Donald Fagen: Freejunket Music (ASCAP)
Joni Mitchell: Crazy Crow Music (ASCAP)
Dean Parks: Dean Parks Publishing (BMI)
Michael McDonald appears courtesy of Chonin Records.
Sarah Jarosz appears courtesy of Rounder Records.
Some copies have a "Made in Czech Republic" or "Made in Canada" sticker on the rear shrink wrap.
Barcode and Other Identifiers:
Barcode 4050538689952 Matrix / Runout 231612E1/A 10-92639 / 538689951 - A Matrix / Runout 231612E2/A 10-92639 / 538689951 - B Rights Society SESAC Rights Society ASCAP Rights Society BMI
Phonographic Copyright (p) Three Blind Mice, Inc. Copyright (c) Three Blind Mice, Inc. Licensed To BMG Rights Management (US) LLC Published By Crozsongs Published By Genevieve Music Published By Proudfoot Music Published By Less Blue Music Published By Freejunket Music Published By Crazy Crow Music Published By Dean Parks Publishing Designed At Blue Ink Creative Recorded At The Bamboom Room Recorded At Hz Werks, Van Nuys Recorded At Joel Jack's Studios Recorded At Groove Masters Recorded At Stubbs Recording Recorded At Tomorrow Sound Today Studio Mixed At The Bamboom Room Mixed At Sunset Sound Mixed At Carbonite Sound Mastered At Bernie Grundman Mastering Mastered At GZ Media Pressed By Precision Record Pressing
