Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
Electronic music performed by David Shire and Craig Huxley
Electronic music recorded at The Enterprise
Orchestral music recorded at MGM Studios
Remixed by Craig Huxley
Album mastered at Bernie Grundman Mastering
On label: MADE IN WEST GERMANY BY POLYGRAM
Album coordination for MGM: Harry Lojewski
Album Supervision: Jonathan A. Zimbert
Album Art Direction: Chuck Beeson
Album Design: Donald Krieger
All of the original music, with the exception of "New Worlds" and the second half of "New Worlds Theme" was entirely synthesized using the New England Digital Synclavier II, Yamaha DX-1 and Roland Jupiter-8. The Blaster Beam was used on "Reactivating Discovery." No resynthesis or sampling was employed on the Synclavier. All electronic music was recorded with an Amek 3500 mixing desk and Otari MTR 90 24-track recorder and remixed to a Mitsubishi X-80 digital recorder.
Barcode and Other Identifiers:
Matrix / Runout 395 038 - 1 8 1 320 Matrix / Runout 395 038 - 1 5 2 320 B Price Code LC 0485 Rights Society GEMA
