Domenico Scarlatti, Pieter-Jan Belder - Sonatas K 188

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Near Mint (NM or M-)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
30% discount //
€4,99
€2,99

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What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Classical
Style: Baroque

General notes about this release (please note: our version may differ a little. see the comments above):

Harpsichords
CD1: Cornelis Bom, Schoonhoven, 1999, after Ruckers
CD2: Jan Kalsbeek, Zutphen, 2003, after Mietke
CD3: Cornelis Bom, Schoonhoven, 2002, after Mietke

Recording Locations: Maria Minor, Utrecht, 12/13 december 2002 (CD1), 17/19 february 2003 (CD2)
Doopsgezinde Kerk Deventer 2 april 2003 (CD3)


 

1-1. K. 188 In A Minor: Allegro 5:441-2. K. 189 In B Flat Major: Allegro 4:151-3. K. 190 In B Flat Major: Vivo 3:291-4. K. 191 In D Minor: Allegro 3:221-5. K. 192 In E Flat Major: Allegro 4:211-6. K. 193 In E Flat Major: Allegro 4:031-7. K. 194 In F Major: Andante 7:131-8. K. 195 In F Major: Vivo 4:091-9. K. 196 In G Minor: Allegro 3:191-10. K. 197 In B Minor: Andante 4:301-11. K. 198 In E Minor: Allegro 2:411-12. K. 199 In C Major: Andante Moderato 5:451-13. K. 200 In C Major: Allegro 4:031-14. K. 201 In G Major: Vivo 4:201-15. K. 202 In B Flat Major: Allegro 3:452-1. K. 203 In E Minor: Vivo Non Molto 4:512-2. K. 204 In F Minor: Allegro/Allegrissimo 5:402-3. K. 204 In F Minor: Allegro 4:542-4. K. 205 In F Major: Vivo 6:142-5. K. 206 In E Major: Andante 8:582-6. K. 207 In E Major: Allegro 3:112-7. K. 208 In A Major: Adagio E Cantabile 3:262-8. K. 209 In A Major: Allegro 4:172-9. K. 210 In G Major: Andante 3:092-10. K. 211 In A Major: Andantino 5:202-11. K. 212 In A Major: Allegro Molto 3:522-12. K. 213 In D Minor: Andante 6:252-13. K. 214 In D Major: Allegro Vivo 3:592-14. K. 215 In E Major: Andante 5:562-15. K. 216 In E Major: Allegro 5:563-1. K. 217 In A Minor: Andante 8:423-2. K. 218 In A Minor: Vivo 3:063-3. K. 219 In A Major: Andante 5:133-4. K. 220 In A Major: Allegro 5:283-5. K. 221 In A Major: Allegro 4:483-6. K. 222 In A Major: Vivo 2:393-7. K. 223 In D Major: Allegro 4:233-8. K. 224 In D Major: Vivo 3:523-9. K. 225 In C Major: Allegro 5:233-10. K. 226 In C Minor: Allegro 3:443-11. K. 227 In B Minor: Allegro 4:483-12. K. 228 In B Flat Major: Allegro 3:463-13. K. 229 In B Flat Major: Allegro Vivo 3:31

 

Barcode and Other Identifiers:

Barcode 5028421922010

 

Recorded At Doopsgezinde Remonstrantse Kerk DeventerRecorded At Maria Minor, UtrechtData provided by Discogs
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