Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:Synth-pop
General notes about this release (please note: our version may differ a little. see the comments above):
A Stock Aitken Waterman Production
Donna's vocals were recorded using the Calrec Soundfield Microphone.
Hair: Andrene at Vidal Sassoon.
Made in Germany
Manufactured in Germany. Pressé en Allemagne
A. I Don't Wanna Get Hurt 3:32B. I Don't Wanna Get Hurt (Instrumental) 4:45
Manufactured By TELDEC Record Service GmbHMade By WEA Musik GmbHPhonographic Copyright (p) WEA International Inc.Copyright (c) WEA Records Ltd.Recorded At PWLPublished By All Boys Music Ltd.Pressed By Record Service AlsdorfRecord Company Warner CommunicationsData provided by Discogs
Manufactured By TELDEC Record Service GmbH Made By WEA Musik GmbH Phonographic Copyright (p) WEA International Inc. Copyright (c) WEA Records Ltd. Recorded At PWL Published By All Boys Music Ltd. Pressed By Record Service Alsdorf Record Company Warner Communications