Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Renaissance
Tracklist:
A1. The Earl Of Essex Galliard 1:53 A2. Lachrimae Antiquae 5:50 A3. My Lady Hunsdon's Puffe 1:27 A4. Lord D'Lisle's Galliard 3:00 A5. The Frog Galliard 1:48 A6. Lachrimae Verae 3:10 A7. The Shoemaker's Wife (A Toy) 1:15 A8. Lady Rich Her Galliard 1:58 A9. Unnamed Piece (Almaine) 1:14 B1. Sir John Smith's Almaine 2:18 B2. Melancholie Galliard 4:19 B3. Sir Henry Gifford's Almaine 1:45 B4. Dowland's First Galliard 3:06 B5. Mrs. Vaux's Gigge 1:15 B6. The Earl Of Derby His Gilliard 3:00 B7. Semper Dowland, Semper Dolens 4:16
General notes about this release (please note: our version may differ a little. see the comments above):
A2. Lachrimae Antiquae 5:50
A3. My Lady Hunsdon's Puffe 1:27
A4. Lord D'Lisle's Galliard 3:00
A5. The Frog Galliard 1:48
A6. Lachrimae Verae 3:10
A7. The Shoemaker's Wife (A Toy) 1:15
A8. Lady Rich Her Galliard 1:58
A9. Unnamed Piece (Almaine) 1:14
B1. Sir John Smith's Almaine 2:18
B2. Melancholie Galliard 4:19
B3. Sir Henry Gifford's Almaine 1:45
B4. Dowland's First Galliard 3:06
B5. Mrs. Vaux's Gigge 1:15
B6. The Earl Of Derby His Gilliard 3:00
B7. Semper Dowland, Semper Dolens 4:16