Ekseption - Ekseption (LP, Album, Fli)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€5,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz, Rock
Style: Prog Rock, Jazz-Rock

Tracklist:
A1. The 5th 3:22
A2. Dharma (For One) 3:25
A3. Little X Plus 2:20
A4. Sabre Dance 3:48
A5. Air 2:50
B1. Ritual Fire Dance 3:55
B2. Rhapsody In Blue 4:00
B3. This Here 4:17
B4. Dance Macabre Opus 40 5:05
B5. Canvas 2:27



 



General notes about this release (please note: our version may differ a little. see the comments above):

"Ekseption's idea to record well-known classical themes started in 1968, when the group visited a concert of a British group called The Nice. The six boys were impressed by the way The Nice mixed pop and classical music.
A few weeks after the concert Ekseption was invited to play with one of the finest symphony orchestras in Holland - the North Holland Philharmonic - at a big festival in Haarlem.
The obvious man with Ekseption to handle this project was 22 year old pianist Rick van der Linden, who is also one the promising young classical pianists in Holland. Rick, who finished Conservatory and has played piano recitals with well-known orchestras, started to arrange several classical themes for the festival.
Some weeks before the event, however, Ekseption was told that the orchestra refused to perform with a pop group. That part of the festival was cancelled, but Ekseption stuck to the idea and decided to use the arrangement of Beethoven's "The 5th" for their new record.
"The 5th" was an instant smash hit and stayed for seven weeks in the national Top Ten. This LP was the result of requests for more 'classical pop' from Ekseption's many fans."

1st pressing. Can be identified from the runout matrix number ("1" after the Y), writer's credit of A2 on label and sleeve (J. Tull instead of I. Anderson/C. Bunker) and it comes in a flipback sleeve. Also, the font used for the Philips name on the labels is the old, thick (or bold) font; on subsequent pressings, the font used for the Philips name are clearly thinner [see and compare label images.


 

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