Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Pop, Stage & Screen Style:Soundtrack, Rock & Roll
Tracklist:
A1. Blue Hawaii 2:35 A2. Almost Always True 2:24 A3. Aloha Oe 1:54 A4. No More 2:22 B1. Can't Help Falling In Love 2:59 B2. Rock-A-Hula Baby 1:58 B3. Moonlight Swim 2:18 C1. Ku-u-i-po 2:22 C2. Ito Eats 1:25 C3. Slicin' Sand 1:34 C4. Hawaiian Sunset 2:30 D1. Beach Boy Blues 2:00 D2. Island Of Love (Kauai) 2:40 D3. Hawaiian Wedding Song 2:48
General notes about this release (please note: our version may differ a little. see the comments above):
MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED AT RTI
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Mastered by Krieg Wunderlich, Assisted by Rob LoVerde at Mobile Fidelity Sound Lab ®
Sebastopol, CA on the GAIN 2 ULTRA ANALOG SYSTEM ™
From inside the gatefold:
Mobile Fidelity Sound Lab ® gratefully acknowledges and thanks these individuals and companies for their technical support and expertise: Tim de Paravicini, Pass Labs, Lipinski Sound and Sound Application.
Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.