Erik Satie - Håkon Austbø

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Near Mint (NM or M-)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
30% discount //
€3,99
€2,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Classical
Style: Modern

General notes about this release (please note: our version may differ a little. see the comments above):

Recording Location: Remonstrantse Gemeente, Deventer, The Netherlands, 10/11 May, 30 June, 1 July 1999.

 

. 3 Sarabandes (1887) 1-1. No. 1 5:331-2. No. 2 5:001-3. No. 3 4:13. 3 Gymnopédies (1889) 1-4. No. 1: Lent Et Douloureux 3:401-5. No. 2: Lent Et Triste 3:171-6. No. 3: Lent Et Grave 2:53. Gnossiennes 1-3 (1890) 1-7. No. 1 4:061-8. No. 2 2:001-9. No. 3 3:25. Gnossiennes 4-6 (1889-1897) 1-10. No. 4 2:511-11. No. 5 2:501-12. No.6 1:33. Preludes Du Nazaréen (1892) 1-13. No. 1: Assez Lent 4:421-14. No. 2: Assez Lent 3:05. Prélude De La Porte Héroique Du Ciel (1892) 1-15. Prélude De La Porte Héroique Du Ciel 3:44. Piéces Froides (1897) . No. 1: Airs A Faire Fuir 1-16. D'une Manière Très Particulaire 2:591-17. Modestemente 1:421-18. S'inviter 3:02. No. 2 Dances De Travers 1-19. En Y Regardant À Deux Fois 0:541-20. Passer 0:461-21. Encore 1:22. Petite Ouverture À Danser (1900) 1-22. Petite Ouverture A Danser 1:31. Poudre D'Or, Valse (1902) 2-1. Poudre D'Or, Valse 4:35. Le Piccadilly (1904) 2-2. Le Piccadilly 1:30. 3 Véritable Prélude Flasques (1912) 2-3. Sévere Reprimande 0:432-4. Seul A La Maison 1:092-5. On Jou 0:45. Chapitres Tournés En Tout Sens (1913) 2-6. Celui Qui Parle Trop 1:032-7. Le Porteur De Grosses Pierres 2:162-8. Regrets Des Enfermés 1:36. 3 Descriptions Automatiques (1913) 2-9. Sur Un Vaisseau 1:322-10. Sur Une Lanterne 1:512-11. Sur Un Casque 0:55. Embryons Desséchés (1913) 2-12. D'Holothurie 2:112-13. D'Edriophthalma 2:002-14. De Podophtalma 1:43. Heures Séculaires Et Instantanées (1914) 2-15. Obstacles Venimeux 1:412-16. Crépuscule Matinal (De Midi) 1:132-17. Affolements Grantiques 0:55. Sports Et Divertissements (1914) 2-18. Choral Inappétissant 0:472-19. La Balançoire 0:382-20. La Chasse 0:172-21. Le Comédie Italienne 0:342-22. Le Réveil De La Mariée 0:252-23. Colin-Maillard 0:342-24. La Pêche 0:402-25. Le Yachting 0:512-26. Le Bain De Mer 0:292-27. Le Carnaval 0:252-28. Le Golf 0:302-29. Le Pieuvre 0:272-30. Les Courses 0:212-31. Les Quatre-Coins 0:372-32. Le Pique-Nique 0:232-33. Le Waterchute 0:362-34. Le Tango 1:032-35. Le Traineau 0:232-36. Le Flirt 0:342-37. Le Feu D'Artifice 0:222-38. Le Tennis 0:36. 3 Valses Distinguées Du Précieux Dégouté (1914) 2-39. Sa Taille 0:532-40. Son Binocle 1:202-41. Ses Jambes 0:53. Avant-Dernieres Pensées (1915) 2-42. Idylle 1:112-43. Aubade 1:332-44. Méditation 0:58. Sonate Bureaucratique (1917) 2-45. Sonate Bureaucratique 3:57. Nocturnes (1919) 2-46. Doux Et Calme 3:072-47. Simplement 2:042-48. Un Peu Mouvementé 3:012-49. No. 4 2:272-50. No. 5 2:06

 

Barcode and Other Identifiers:

Barcode 5 028421 993843Label Code LC 0542SPARS Code DDDRights Society STEMRAMatrix / Runout DMSI 00095 51027 374 01 /Matrix / Runout DMSI 00095 51027 375 01 /Mastering SID Code IFPI L001Mould SID Code IFPI 0117

 

Recorded At Doopsgezinde Remonstrantse Kerk DeventerGlass Mastered At Universal M & L, GermanyGlass Mastered At Universal M & L, GermanyData provided by Discogs
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