Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Funk / Soul Style:Disco
Tracklist:
A1. Let No Man Put Asunder (Vocal) 7:25 A2. Let No Man Put Asunder (Instrumental) A3. Let No Man Put Asunder (Acappella) B1. Let No Man Put Asunder (Vocal) 7:00 B2. Let No Man Put Asunder (Instrumental)
General notes about this release (please note: our version may differ a little. see the comments above):
"A Shep Pettibone Mix" For Mastermix Productions
℗ 1977 Salsoul Record Corp.
Barcode and Other Identifiers:
Rights Society BMI Matrix / Runout SG 397 A Matrix / Runout SG 397 B Matrix / Runout SG 397 A - 1 STERLING Λ4F Matrix / Runout SG 397 B - 1 STERLING Λ2Q Matrix / Runout SG 397 A - 1 STERLING ΛLB Matrix / Runout SG 397 B - 1 STERLING Λ1D Matrix / Runout SG 397 A -1 I STERLING Λ1F Matrix / Runout SG 397 B -1 I STERLING Λ1F Matrix / Runout SG 397 A -I STERLING A1D Matrix / Runout SG 397 B -I STERLING A2A
Phonographic Copyright (p) Salsoul Record Corp. Produced For Mastermix Productions Lacquer Cut At Sterling Sound Pressed By RCA Records Pressing Plant, Indianapolis
A2. Let No Man Put Asunder (Instrumental)
A3. Let No Man Put Asunder (Acappella)
B1. Let No Man Put Asunder (Vocal) 7:00
B2. Let No Man Put Asunder (Instrumental)