François Couperin, Kenneth Gilbert - Onziéme Et Douziéme Ordres (LP, Gat)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Near Mint (NM or M-)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€7,99

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Genre: Classical
Style: Baroque

Tracklist:
A1. Onziéme Ordre - 1. La Castelane Coulamment
A2. 2. L'Etincelante ou La Bontems - Tres vivement
A3. 3. Les Grâces Naturelles - Affecteusement, sans lenteur
A4. 4. La Zénoble - D'une Légereté gracieuse et liée
A5. 5. Les Fastes de la grande ancienne Ménestrandise: Act I - sans lenteur
A6. Acte II
A7. Acte III - Légerement
A8. Acte IV
A9. Acte V - tres vite
B1. Douziéme Ordre 1. Les Jumeles - Affecteusement
B2. 2. L'Intime - Mouvement de courante
B3. 3. La Galante - Gayement
B4. 4. La Coribante - Vivament
B5. 5. La Vauvré - Coulamment
B6. 6. La Fileuse - Naivement, sans lenteur
B7. 7. La Boulonoise - Tendrement, sans lenteur
B8. 8. L'Atalante, Tres légerement



 



General notes about this release (please note: our version may differ a little. see the comments above):

Publisher: Heugel, Paris, Revised by Kenneth Gilbert
Instrument: Hubbard harpsichord. Boston 1968, an exact copy of an instrument by the Parisian maker Henry Hemsch, about 1750, now in the Museum of Fine Arts, Boston.

Pitch: Slightly below modern pitch

Temperament: Unequal temperament, after Jean-Jaques Rousseau (Dictionnaire de la Musique) who cites Couperin's preference for it.

Recording: Queen Mary Road United Church, Montreal (Quebec).

 

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