Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical, Stage & Screen
Tracklist:
A1. Le Déclin De L'Empire Américain A2. Barbara De Californie A3. Le Miroir De L'Aube A4. Début De Fête A5. La Chasse A6. La Nuit Tombée A7. Le Temps Qui Fuit B1. L'Exergue B2. Hélène Et Mario B3. L'appel Du Coyote B4. L'Explosion B5. Ratablavaski B6. Monsieur Émile (instrumental) B7. On Se Connait Par Coeur B8. La Samba Des Coquerelles B9. Monsieur Émile
General notes about this release (please note: our version may differ a little. see the comments above):
Side A from the Denys Arcand film: LE DÉCLIN DE L'EMPIRE AMÉRICAIN.
Side B tracks 1-4 from the Jean Beaudin film MARIO.
Side B tracks 5-9 from the Jean Beaudin film LE MATOU.
A2. Barbara De Californie
A3. Le Miroir De L'Aube
A4. Début De Fête
A5. La Chasse
A6. La Nuit Tombée
A7. Le Temps Qui Fuit
B1. L'Exergue
B2. Hélène Et Mario
B3. L'appel Du Coyote
B4. L'Explosion
B5. Ratablavaski
B6. Monsieur Émile (instrumental)
B7. On Se Connait Par Coeur
B8. La Samba Des Coquerelles
B9. Monsieur Émile