Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Baroque
General notes about this release (please note: our version may differ a little. see the comments above):
A Digital recording
Recorded at Notre-Dame-du-Liban, Paris, 25-30 June 1980.
Co-Production RVC JAPON/ERATO
Box top not attached by hinge
. Première Partie . Overture En Mi Mineur Pour Deux Flûtes, Orchestra À Cordes Et Continuo 25:22. Concerto In La Majeur Pour Flûte, Violon, Orchestre À Cordes Et Continuo 25:37. Conclusion En Mi Mineur Pour Deux Flûtes, Orchestre À Cordes Et Continuo 4:55. Deuxième Partie . Ouverture En Ré Majeur Pour Hautbois, Trompette, Orchestre À Cordes Et Continuo 25:37. Concerto In Fa Majeur Pour Trois Violons, Orchestre À Cordes Et Continuo 20:02. Conclusion En Re Majeur Pour Hautbois, Trompette, Orchestre À Cordes Et Continuo 6:35. Troisième Partie . Ouverture En Si Bémol Majeur Pour Deux Hautbois, Orchestre À Cordes Et Continuo 22:28. Concerto En Mi Bemol Majeur Pour Deux Cors, Orchestre À Cordes Et Continuo 18:00. Conclusion En Si Bemol Majeur Pour Deux Hautbois, Orchestre À Cordes Et Continuo
Barcode and Other Identifiers:
Matrix / Runout NUM 75005 A MPO [NUM 774 03 A crossed out] [Translab logo]Matrix / Runout NUM 75005 B MPO [NUM 77403 B crossed out] [Translab logo]Matrix / Runout NUM 75006 A MPO [Translab logo] [NUM 77404 A crossed out] Matrix / Runout NUM 75006 B MPO [Translab logo] [NUM 77404 B crossed out]Matrix / Runout NUM 75007 A MPO [Translab logo] [NUM 77405 A crossed out]Matrix / Runout NUM 75007 B MPO [Translab logo] [NUM 77405 B crossed out]Price Code 3 X RC 180
Phonographic Copyright (p) Editions CoastallatCopyright (c) Editions CoastallatRecorded At Notre-Dame du LibanPrinted By C.L.D. Chambray-lès-ToursPressed By MPOMastered At TranslabData provided by Discogs
Barcode and Other Identifiers:
Matrix / Runout NUM 75005 A MPO [NUM 774 03 A crossed out] [Translab logo] Matrix / Runout NUM 75005 B MPO [NUM 77403 B crossed out] [Translab logo] Matrix / Runout NUM 75006 A MPO [Translab logo] [NUM 77404 A crossed out] Matrix / Runout NUM 75006 B MPO [Translab logo] [NUM 77404 B crossed out] Matrix / Runout NUM 75007 A MPO [Translab logo] [NUM 77405 A crossed out] Matrix / Runout NUM 75007 B MPO [Translab logo] [NUM 77405 B crossed out] Price Code 3 X RC 180
Phonographic Copyright (p) Editions Coastallat Copyright (c) Editions Coastallat Recorded At Notre-Dame du Liban Printed By C.L.D. Chambray-lès-Tours Pressed By MPO Mastered At Translab
