Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Opera
General notes about this release (please note: our version may differ a little. see the comments above):
Early issue; narrow band, 'Made in England' in small text at 11AM inside outer text ring
Libretto by Henri Meilhac and Ludovic Halévy from the novel by Prosper Mérimée. Recorded July & December 1975 at Henry Wood Hall, London. Made in England.
Box includes a 36 page booklet.
A. Prelude - Act 1 (Beginning); "Sur La Place, Chacun Passe" 25:54B. Act 1 (Conlusion); "Carmen! Sur Tes Pas Nous Nous Pressons Tous!" 27:00C. Entr'acte - Act 2 (Beginning); "Les Tringles Des Sistres Tintaient" 23:54D1. Act 2 (Conclusion); "Enfin Te Voilà!" 20:25D2. Entr'acte - Act 3, Scene 1 (Beginning); "Ecoute, Ecoute, Compagnon, Ecoute!" 8:37E. Act 3, Scene 1 (Conclusion); "Mêlons! Mêlons! Coupons! Coupons!" 31:50F. Entr'acte - Act 3, Scene 2, "A Deux Cuartos!" 22:00
