Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Romantic
General notes about this release (please note: our version may differ a little. see the comments above):
Il Barbiere di Siviglia
Melodramma buffo in due Atti Di Cesare Sterbini
Luigi Alva: Il Conte d'Almaviva
Enzo Dara: Bartolo, dottore in medicina
Teresa Berganza: Rosina, pupilla di Bartolo
Hermann Prey: Figaro, barbiere
Paolo Montarsolo: Basilio, maestro di musica
Renato Cesari: Fiorello, servitore d'Almaviva
Stefania Malagú: Berta, cameriera di Bartolo
Luigi Rono: Un Ufficiale, Un Notaio parte muta
A. Sinfonia; Atto Primo Scena 1 / Scena 2 (1. Tl) 22:19B. Atto Primo Scena 2 (2.Tl) / Scena 3 E 4 18:44C. Atto Primo Scena 5, 6, 7, 8, 9, 10 e 11 29:43D. Atto Primo Scena 12, 13, 14, 15 e Scena Ultima 21:10E. Atto Secondo Scena 1, 2, 3 e 4 25:25F. Atto Secondo Scena 5, 6, 7, 8, 9 10 e Scena Ultima 20:08
