Tax included. Shipping calculated at checkout.
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Comments:
General notes about this release (please note: our version may differ a little. see the comments above):
Backsleeve notes (edit): Henk Bading's electronic music was written in 1956 and was first given at a performance by the Netherlands Ballet during the Holland Festival that year. The underlying idea is of conflict between opposed forces. For the first performance, choreographer J.Zielstra chose the figures of Cain and Abel to personify this conflict.
Those who are interested in the electronic means and methods employed in the music will find a detailed account of them in the Philips Technical Review vol.19 (1957/58) no.6.
The devices used were sine-wave generators, multivibrators, noise generators, a photo-electric siren, an electronic clavichord and electric percussion instruments; sounds from mechanical sources such as battery and piano were transformed electrically. The devices used for processing the sounds included electrical filters, artificial echo producers, tape recorders and a ring modulator. An oscilloscope served for monitoring and tuning purposes.
Tracktitles on backsleeve in English, on label in German:
Elektronische Ballettmusik Kain und Abel
Erste Episode; 1. Einleitung - 2. Tanz - 3. Tanz der Gegenkräfte - 4. Konflikt - 5. Abschluss - 6. Ubergang - - Zweite Episode; 7. Passacaglia
Zweite Episode(Schluss); 8. Arioso - 9. Konflikt - 10. Wiederholung des Arioso - 11. Konflikt - 12. Schluss
. First Episode
A1. Introduction
A2. Dance
A3. Dance Of The Destructive Forces
A4. Conflict
A5. Conclusion
A6. Transition
. Second Episode
A7. Passacaglia
B1. Arioso
B2. Conflict
B3. Reprise (Arioso)
B4. Conflict
B5. Finale
Barcode and Other Identifiers:
Data provided by Discogs
