Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Hard Bop, Jazz-Funk
Tracklist:
A1. No More A2. I'm Coming Home Babe B1. I'll Remember April B2. Satin Doll B3. What Is This Thing Called Love
General notes about this release (please note: our version may differ a little. see the comments above):
Gatefold numbered LP; 1,000 copies.
Re-issue of an obscure dutch jazz album originally released on Universe Productions 1972
The recording took place on december 22 1972 in a jazzbar called Passepartout Leeuwarden. The engineer that night was Hans Poot who now roughly 45 years later teamed up with jazz lover Cor Boonstra (who was an old friend of Joop Verbeke). The idea of re-issuing this unique material came from Cor. The result is a beautiful gatefold sleeve lp, digitaly remastered sounding better than the original and a double CD set wich includes the complete performance of that night in Leeuwarden.
