Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Cine Citta: Gare Centrale 3:13 A2. Denise À Venise 5:11 A3. Sidi Bel Abbès 5:34 A4. Vera C. 2:30 B1. Pali Kao 4:20 B2. Au Bout Du Monde 3:50 B3. Motel Du Sud 1:30 B4. Sous Les Bougainvilliers 2:59 B5. Des Cocotiers 5:02
General notes about this release (please note: our version may differ a little. see the comments above):
Made to measure to flesh out the theory of post-modernism.
Enregistré et mixé au Studio Anagramme entre juin 1982 et juillet 1984.
"Denise À Venise" est dédié à Jeanne Folly
"Vera C." à Marie Armel, "Sidi Bel Abbès" à mon papa et ma maman, et "Au Bout Du Monde" à Valentin.
"Pali Kao", "Motel Du Sud" & "Sous Les Bougainvilliers" composés pour une choréographie de Kitsou Dubois.
Illustration: "Adhara"
Printed inner sleeve.
Barcode and Other Identifiers:
Rights Society SABAM Matrix / Runout MTM 5-A//56463-1 Matrix / Runout MTM 5-B//56464-1
Phonographic Copyright (p) Crammed Discs Copyright (c) Crammed Music Recorded At Studio Anagramme Mixed At Studio Anagramme Lacquer Cut At Bovema / EMI Studios Lacquer Cut At Bovema / EMI Studios
