Henry Threadgill - X-75 Volume 1 (LP, Album)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
smal sticker on corner sleeve!
€36,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz
Style: Avant-garde Jazz

Tracklist:
A1. Sir Simpleton 6:26
A2. Celebration 13:21
B1. Air Song 10:21
B2. Fe Fi Fo Fum 13:00



 



General notes about this release (please note: our version may differ a little. see the comments above):

On back cover:
Recorded at CI Recording Studios,
New York City on January 13, 1979

Technical Notes: In stereo, from left to right in the
reed section are Douglas Ewart, Joseph Jarman, Henry
Threadgill and Wallace McMillan.

From left to right in the bass section are Leonard
Jones, Brian Smith, Rufus Reid and Fred Hopkins.

The piccolo bass is not an electric gimmick. It is an
acoustic bass with a range exactly one octave higher
than the standard bass.

℗&© 1979 Arista Records, Inc.

 

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