Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
Tracks A1, A2, B2 were recorded at Newport Jazz Festival in Newport, R. I. on July 3, 1965.
Track B1 was recorded at the Village Gate in New York on May 24, 1965.
This version has the 1969-73 label with Broadway address and no reference to Warner Communications.
Rights Society ASCAP Rights Society BMI Pressing Plant ID PR Matrix / Runout ST-A-65735 PR Matrix / Runout ST-A-65736 PR Matrix / Runout ST-A-65735-D LW P AT W Matrix / Runout ST-A-65736-D LW AT W
Recorded At Village Gate Copyright (c) Atlantic Recording Corporation Recorded At Newport Jazz Festival Lacquer Cut At Atlantic Studios Mastered At Longwear Plating Pressed By Presswell Manufactured By Atlantic Recording Corporation Published By Herbie Mann Published By Noslen Music Published By Alameda (2) Published By Cotillion
A2. Stolen Moments 9:28
B1. Mushi Mushi 5:45
B2. Comin' Home Baby 10:34