Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Classical Style:Musique Concrète, Modern Classical
General notes about this release (please note: our version may differ a little. see the comments above):
Early pressing without any address printed on labels.
[r7401384 A nearly identical pressing with New York address printed on labels
Originally released as the fifth LP in the Erato box set, mastered by Robert Ludwig with the participation of Iannis Xenakis.
A - 1962
B1 - 1958 (revised version 1968)
B2 - 1957 (new version 1968)
B3 - 1959-1960 (1968)
All tracks realized at the studios of the Groupe de recherches musicales de l'O.R.T.F., Paris.
Licensed from Disques Erato, France • For sale in U.S.A., Canada, & South America
Printed in U.S.A.
Duration for track B1 listed on label: 2:28
Record housed in a printed paper inner sleeve (Nonesuch generic).
A. Bohor I 21:56B1. Concret P-H II 2:38B2. Diamorphoses II 6:49B3. Orient-Occident III 11:12