Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Rock Style:Synth-pop, Indie Rock
General notes about this release (please note: our version may differ a little. see the comments above):
This version has no "made in great britain" on the labels.
Some copies includes Mooseletter No.9 insert
A recorded at The Windings, Wales. Mixed at Swan Yard, London.
B recorded at Suite 16, Rochdale. Mixed at Round House, London.
Phonographic Copyright (p) Mute Records Ltd.Copyright (c) Mute Records Ltd.Published By Copyright ControlMixed At Swanyard StudiosMixed At Round House LondonRecorded At Suite 16 StudiosRecorded At The WindingsMastered At DamontPressed By Lyntone Recordings Ltd.Pressed By Lyntone Recordings Ltd.Lacquer Cut At The ExchangeData provided by Discogs
Phonographic Copyright (p) Mute Records Ltd. Copyright (c) Mute Records Ltd. Published By Copyright Control Mixed At Swanyard Studios Mixed At Round House London Recorded At Suite 16 Studios Recorded At The Windings Mastered At Damont Pressed By Lyntone Recordings Ltd. Pressed By Lyntone Recordings Ltd. Lacquer Cut At The Exchange
