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Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Pop Style:Alternative Rock, Folk Rock, Indie Rock
Tracklist:
A1. Just Like A Woman A2. Everyday People A3. Don't Let The Sun Catch You Cryin' B1. Grace B2. Calling You B3. Dream Of You And I C1. The Boy With The Thorn In His Side C2. Poor Boy Long Way From Home D1. Night Flight D2. I Know It's Over
General notes about this release (please note: our version may differ a little. see the comments above):
On inner sleeve:
LP 1, Side A, Track 1, Recorded in November 1993 at Bearsville Studios, Woodstock, NY.
All other tracks, Recorded in February 1993 at Shelter Island Sound, New York City, NY.
Shelter Island Sound sessions were recorded and mixed live, directly to a Panasonic SV-3700 DAT machine, Neumann U-47 vocal mic, Neve 1064 mic preamps, MCI 636 mixing desk, EMT 140 and EMT 250 reverbs.
Jeff played a Telecaster through Steve Addabbo's Fender Super Reverb (1965) amp, Addabbo's Guild F-50 acoustic guitar, Wurlitzer electric piano, and harmonium.
The similar release [r8235792 has different labels (no Sony Music logo, different rim text) and a different back cover.
Barcode and Other Identifiers:
Barcode 8 88751 75851 3 Label Code LC00162 Rights Society BIEM/GEMA Matrix / Runout 15-0749NL 888 7517 5851 - A Kr SST MPO Matrix / Runout 15-0749NL 888 7517 5851 - B MPO Kr SST Matrix / Runout 15-0749NL 888 7517 5851 - C Kr SST MPO Matrix / Runout 15-0749NL 888 7517 5851 - D Kr SST MPO
Phonographic Copyright (p) Columbia Records Copyright (c) Columbia Records Recorded At Bearsville Studios Recorded At Shelter Island Sound Mastered At Battery Studios, New York Lacquer Cut At SST Brüggemann GmbH Manufactured By Noiseland Industries Pressed By MPO Distributed By Sony Music Entertainment Record Company Sony Music Entertainment Record Company Sony Music Entertainment International Services GmbH Copyright (c) Kevin Westenberg Copyright (c) Stephen Stickler Copyright (c) David Gahr
