Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Folk Rock, Prog Rock
Tracklist:
A1. A New Day Yesterday 4:02 A2. Jeffrey Goes To Leicester Square 2:04 A3. Bouree 3:38 A4. Back To The Family 3:40 A5. Look Into The Sun 4:07 B1. Nothing Is Easy 4:18 B2. Fat Man 2:45 B3. We Used To Know 3:52 B4. Reasons For Waiting 3:57 B5. For A Thousand Mothers 4:05
General notes about this release (please note: our version may differ a little. see the comments above):
Reissue on Chrysalis' own label rather than Island.
In The Netherlands (as in Germany f.i.) Phonogram initially catered for both labels' distribution but by 1973 Island had moved to Ariola, so a nice occasion for Phonogram to reissue this record in the wake of Tull's then-recent successes with Aqualung and Thick As A Brick.
Keeps gatefold sleeve with pop-up of artists (as opposed to later simplified reissues) but for efficiency reasons sleeves were all made in Germany while record pressing was per-country (here '670' code, indicating Phonogram Baarn).
There is a D in a square behind the cat# on the back of the gatefold cover.
