Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Funk / Soul, Blues Style:Rhythm & Blues, Blues Rock, Psychedelic Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Comes in a double space 3xCD capacity jewel case w/ 4 page color printed booklet.
Front jewel case insert and booklet cover: Jimi Hendrix
Groove Maker
Limited Edition 3CD Collectors Set
Phonographic Copyright (p) Dressed To KillCopyright (c) Dressed To KillLicensed From Charly Licensing ApsDistributed By Total IndependenceDistributed By Pinnacle (3)Data provided by Discogs
Phonographic Copyright (p) Dressed To Kill Copyright (c) Dressed To Kill Licensed From Charly Licensing Aps Distributed By Total Independence Distributed By Pinnacle (3)
Comes in a double space 3xCD capacity jewel case w/ 4 page color printed booklet.
Front jewel case insert and booklet cover: Jimi Hendrix
Groove Maker
Limited Edition 3CD Collectors Set
Under the song listings on the back of the jewel case insert:
℗ 1997 Dressed To Kill
© 1997 Dressed To Kill
All tracks issued under license from Charly Licensing APS
Made In England. Distributed by Total Independence Via Pinnacle.
Despite being co-credited on CD 1, Jimi Hendrix does not feature on any of the tracks.
1-1. Little Richard, Jimi Hendrix - Whole Lotta Shakin' Goin' On 2:551-2. Little Richard, Jimi Hendrix - Goodnight Irene 2:451-3. Little Richard, Jimi Hendrix - Keep A Knockin' 3:181-4. Little Richard, Jimi Hendrix - Going Home Tomorrow 3:141-5. Little Richard, Jimi Hendrix - Belle Stars 2:501-6. Little Richard, Jimi Hendrix - Long Tall Sally 2:531-7. Little Richard, Jimi Hendrix - Lawdy Miss Clawdy 2:221-8. Little Richard, Jimi Hendrix - Why Don't You Love Me 3:061-9. Little Richard, Jimi Hendrix - Lucille 2:501-10. Little Richard, Jimi Hendrix - Hound Dog 2:201-11. Little Richard, Jimi Hendrix - Money Honey 2:151-12. Little Richard, Jimi Hendrix - Funky Dish Rag 3:072-1. Jimi Hendrix - Red House 8:062-2. Jimi Hendrix - Sweet Thing 2:352-3. Jimi Hendrix - Blues Blues 6:062-4. Jimi Hendrix - Groove Maker 2:182-5. Jimi Hendrix - People's Peoples 7:432-6. Jimi Hendrix - She's A Fox 2:422-7. Jimi Hendrix - Woah Eeh 3:102-8. Jimi Hendrix - Gonna Take The Lot 2:342-9. Jimi Hendrix - Lime Lime 6:093-1. Lonnie Youngblood, Jimi Hendrix - Go Go Shoes 2:533-2. Lonnie Youngblood, Jimi Hendrix - Go Go Place 2:063-3. Lonnie Youngblood, Jimi Hendrix - Soul Food (That's What I Like) 3:313-4. Lonnie Youngblood, Jimi Hendrix - Under The Table 4:313-5. Lonnie Youngblood, Jimi Hendrix - Under The Table 2 2:533-6. Lonnie Youngblood, Jimi Hendrix - Goodbye Bessie Mae 2:273-7. Lonnie Youngblood, Jimi Hendrix - Two In One Goes 2:163-8. Lonnie Youngblood, Jimi Hendrix - Wipe The Sweat 1 2:513-9. Lonnie Youngblood, Jimi Hendrix - Wipe The Sweat 2 3:333-10. Lonnie Youngblood, Jimi Hendrix - Wipe The Sweat 3 2:47
Barcode and Other Identifiers:
Barcode 6 66629 10622 8Barcode 666629106228Matrix / Runout DTKBOX81-1Mastering SID Code IFPI L622Matrix / Runout DTKBOX81-2Mastering SID Code IFPI L621Matrix / Runout DTKBOX81-3
Phonographic Copyright (p) Dressed To KillCopyright (c) Dressed To KillLicensed From Charly Licensing ApsDistributed By Total IndependenceDistributed By Pinnacle (3)Data provided by Discogs